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Intimate

Installation "The Grand Suite" par Helle Mardahl © Alastair Philip Wiper

Styles

il y a 5 mois


At a time when everything must be shown and told, aesthetics are turning to the narration of the everyday. Whether transforming the banal into the extraordinary or revealing the unusual in the seemingly familiar, scripting and sublimating the intimate is becoming a powerful new artistic lever. When creative artists enter people’s hidden lives to make their mark, the carnal, the sensual, the bored, the lazy, the raw, the romantic and the erotic are revealed for all to see.

 

“Making the intimate sublime”, the motto used by modern toilet reenchanter Trone, comes to life at the heart of current inspirations. The intimacy of the “self” and the “home” are staged with poetry or crudity, using a variety of media, including the paintings of Nathanaëlle Herbelin and Elise Hisdal, which paint a picture of a messy reality, as well as the advertising campaigns of fashionable brands (IRNBY, SKIMS, Lorette Cole Duprat), which appropriate the “brat” trend launched by Charli XCX, or the unravelling of the image of the perfect woman.

 

It’s a nod to modesty and morality, and aims to untangle what everyone shares but keeps secret. This theme is deciphered in the “5 stories for 2025” booklet sent out when you subscribe to the newsletter. Immersion in intimacy.

  • Team

    Brat

  • Mood

    Bordélique

  • Hobbie

    Paresse

  • Planque

    Boudoir

Messy laziness

New Balance x Miumiu © Alessandro Furchino Capria

Exposition « Vue mer » par Marion Mailaender à Design Parade Toulon 2024

In a society that values hyperactivity, moments of idleness are back in the limelight. The art of doing nothing Niksen in the Nordic countries, is featured in the latest campaigns by Miu Miu, Dorso and Bode. These paintings are sometimes embellished with imperfect, upside-down settings, or very intimate scenes that are usually masked.

VitraHaus Loft

Serviette de bain en lin, Waffle, Merci Paris

« The Life We’ve Shared », Charlotte pour Openhouse issue No. 21 © Enric Badrinas

« Sleep Patterns, Storie of Confort », Dorso Nightwear

Bode, Fall/Winter 2021

QG Jacquemus © Bea De Giacomo

Odda © Richard Dowker

Veste par Joan Steiner

Rafael Mieses  pour Todd Snyder © Kenneth Long Thomas

© Fanny Rådvik

Peinture Emmanuelle et Efi par Nathanaëlle Herbelin, 2024

Peinture par Elise Hisdal

Huile sur toile Yehonathan par Nathanaëlle Herbelin, 2019

Not guilty pleasures

Exposition « Erotish » à la Chapelle XIV

3daysofdesign 2024 Copenhague

Installation « The Grand Suite » par Helle Mardahl © Alastair Philip Wiper

At a time when feminism is militating for new representations of the body and sexuality, the erotic imagination is evolving and becoming desacralized. At Helle Mardhal and Studionotte, sex toys, once concealed, become contemplative works of art, unveiling themselves at the heart of their scenographies. Nudity, meanwhile, is on free display at Chapelle XIV. Once discredited and forgotten, feminine pleasure is revealed in a new light.

Sabrina Carpenter pour SKIMS © Jack Bridgland

Charli XCX pour SKIMS

IRNBY

Lorette Cole Duprat © Gorka Postigo Breedveld

Crudités Glass par Studio Notte © Pietro Bulfoni, 2024

Collection « Téléphone Rose » par Henriette H

Dining Room par Reath Design © Joyce Kim

Peinture par Inès Longevial

Highsnobiety / Carly Jean Andrews

Maddy Rotman / TSU LANGE YOR

Intimate neo-boudoir

© Bienaimé Paris

Boutique Bienaimé Paris © Damien de Medeiros

The boudoir, a retreat for ladies to retreat alone or converse with intimates, is once again in vogue. Beauty brand Bienaimé, fashion house Orseund Iris and publisher Trone are exaggerating its contours with powder pink, the emblem of femininity, theatricalized and mixed with 19th-century codes.

Toy Brush Sandals, Loewe

Pleasing Crewneck

Vase par Sophie Lou Jacobsen © Contributions Design

Magasin Bode Women à New York par Green River Project

Nuisette Starlet par Orseund Iris

Pied A Terre Arts et Métiers, Paris III par Akademos © Alexis Armanet

Zendaya pour Annie’s Ibiza

Glossier Covent Garden, Londres

Jacqueline Sullivan Gallery © William Jess Laird

© Trone

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