Styles
16 December 2022
Styles
16 December 2022
With a peak in 1730, the rocaille style of the Ancien Régime, which was inspired by caves, reconstructed rocks and shells, is in full revival. These days, designers are reinterpreting the trend by drawing their inspiration from the ocean. Contemporary designers and artists (Paul Bonlarron, Marthe Simon & Paul Peller, Hugo Drubay, Etienne Marc, Sophie Brillouet) collect shells and other marine treasures to compose iodized creations and display singular cabinets of curiosities.
The meanings are multiple: the scallop shell for the Compostela pilgrimage at the Carmona restaurant; the pebbled calade for the decorations of the Kérylos villa at the Oursinade; or the pearly shell candlesticks for the wedding night celebration at Acne Studios… Dive into the depths of the ocean.
Mood
IODIC
Treasure
SHELLFISH
Discipline
ORNAMENT
Cradle
FRANCE
The obsession with shells is not new. In the still lifes of 17th century reality painters, shells are an invitation to observe nature, in contrast to the grandiloquent representations of kings and powerful people. At the time, artists were particularly preoccupied with rare objects for their collections of curiosities, and shells, exotic and very expensive, were silent proof of their wealth. A praise of material goods to be discovered in the exhibition “THINGS : A History of Still Life” until January 23, 2023 at the Louvre.
Installation Toilette aux coquillages by Paul Bonlarron © Luc Bertrand
This year, the festival Design Parade Toulon paid a sensitive and singular tribute to the rocky treasures of the Mediterranean. The designer Paul Bonlarron presented his “Toilette aux coquillages”, a pearly case translating his taste for ornamentation through a scenography of precious rocky objects (tinder box, fan made of clam knives, bath textiles made of marine fibers, glass made of abalone powder…).
L’Oursinade Installation by Marthe Simon & Paul Peller © Grégoire Couvert
In the same vein, the “Oursinade” by Marthe Simon & Paul Peller (Public Prize of the city of Toulon 2022) immersed visitors in the salty water of the Mediterranean through a stony installation inspired by the calade of Provence. At the entrance, guests were invited to leave towels, masks and snorkels used for fishing, and to settle around a large tray of sea urchins.
Compluvium Installation by Sophie Devaux and plaster sconces by Axel Chay © Studio Godillot
Another iodized installation: “Compluvium” by Sophie Devaux, a project inspired by the Mediterranean Antiquity, its architecture and its water conveyance systems, with Axel Chay‘s Coquillage plaster wall lights.
At the bottom of this new wave of designers who have a special relationship with nature, there is Hugo Drubay. In 2021, the Frenchman presented his SPIRE desk at the Villa Noailles, created during his creative residency at the Mobilier National. A sculptural representation of the Mediterranean environment, theatrically staged in a mystical setting where nature is in symbiosis with innovation.
A nature/technology relationship that he also maintains in his Rocaille mirror collection imagined for The Invisible collection. Designed using 3D printed molding, the ceramic borders are a reinterpretation of the vermiculated glyphs of coral and the ripples on water.
Another contemporary reinterpretation of the treasures of the sea: the “Coquillage” chair by Etienne Marc exhibited at the Southway Pavilion in Marseille for his installation “Sortie des eaux”. A tribute to the Venetian cave furniture of the late 19th century, itself a reinterpretation of the Rocaille style of the Ancien Régime.
Seville invites itself in front of the Eiffel Tower at the restaurant Carmona. Fashion designer Alexis Mabille has put aside his haute couture dresses to open a Parisian gastronomic address with the air of an Andalusian hacienda, paved with shells and scallops in reference to the road to Compostela which passes through the Spanish city.
Trained in plastic arts and dramatic art, the artist Sophie Brillouet assembles and stages natural shells gleaned or raised on the French coast or abroad to compose frescoes. Result: marine waste has a second life.
A creative and eco-responsible dynamic that pushes creative people to dive into the ocean to find the biomaterials of the future. Among them: Hors Studio transforms “shell waste” (oyster, abalone, periwinkle and mussel shells) into entirely biodegradable “sea plaster” for construction.
If Giuseppe Arcimboldo composed faces with fruits and vegetables in his paintings, the artist Caroline Perrin has set her heart on shells.
To celebrate the 10th anniversary of Acne Studios at Paris Fashion Week, the Swedish label unveiled a hyper-sensitive rocky honeymoon setting. Amidst pink satin beds and candelabras adorned with pearly shells, the models dressed in lace, tulle, frills and precious drapes seemed as if they had fallen off their wedding bed.